Search results
Results from the WOW.Com Content Network
The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.The play begins with a framing device, often referred to as the induction, [a] in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself.
Petruchio is debatably the most complex character in The Taming of the Shrew. His actions can be interpreted in several different lights, with each interpretation entirely changing the tone of the play. One popular opinion is that Petruchio is, for the most part, a selfish misogynist determined to tame Katharine for his own convenience and pride.
The play Catharine and Petruchio condenses Shakespeare's play into three acts. Much of the plot is also similar; Petruchio vows to marry Catharine before he has even seen her, she smashes a lute over the music tutor's head, Baptista fears no one will ever want to marry her; the wedding scene is identical, as is the scene where Grumio teases her with food; the haberdasher and tailor scene is ...
Christopher Sly is mentioned in the novel The Eyre Affair, by Jasper Fforde.A man named Victor Analogy explains that the reason why Christopher Sly does not appear after Act One of The Taming of the Shrew is because the character of Sly was, in fact, summoned out of the original copy of the play and thus was removed from the play's plot.
Katherina (Kate) Minola is a fictional character in William Shakespeare's play The Taming of the Shrew.Referred to in the play as the titular "shrew" and the "ingenue", the play focuses on Katherina's taming by Petruchio into a more conventional role of a good wife.
In the musical adaptation Kiss Me, Kate, The Taming of the Shrew is a play-within-the-play, and Bianca is played by an actress called Lois Lane. In the 1953 film version Bianca/Lois is played by Ann Miller.
Some scholars have argued for an early date, on the reasoning that a date closer in time to Shakespeare's play makes more sense than a later date. The non-Shakespearean or pre-Shakespearean version of the story, The Taming of a Shrew, was reprinted in 1607, [3] and may have influenced Fletcher to make a reply. Other critics are of the belief ...
A common central theme of such literature and folktales is the often forceful "taming" of shrewish wives by their husbands. [2] Arising in folklore, in which community story-telling can have functions of moral censorship or suasion, it has served to affirm traditional values and moral authority regarding polarised gender roles, and to address social unease about female behavior in marriage.