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On a day off during their 7 Day Weekend Tour, Elliott composed lyrics whilst listening to the track. Elliott assembled the band and remains the only Def Leppard song to feature both Clark's guitar playing and Clark's successor Vivian Campbell on background vocals, although Campbell's contributions are uncredited in the Retro Active liner notes.
After their formation in November 1977, Def Leppard began rehearsing and writing songs together. The band, which consisted of vocalist Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage, and drummer Tony Kenning had prepared 3 songs to be recorded on The Def Leppard E.P. in November 1978.
Rock of Ages: The Definitive Collection is the North American version of the second compilation album by the English rock band Def Leppard. The two-disc anthology featuring 35 hit songs by the band and was released in North America on 17 May 2005. The album charted at No. 10 on the Billboard 200. [3]
Steve Huey of AllMusic notes how Def Leppard "continues in the vein of the anthemic, working-class hard rock of their debut. While still opting for a controlled musical attack and melodies as big-sounding and stadium-ready as possible, the band opens up its arrangements a bit more on High 'n' Dry, letting the songs breathe and groove while the rhythm section and guitar riffs play off one another."
"Have You Ever Needed Someone So Bad" is a song by English hard rock band Def Leppard from their fifth studio album, Adrenalize (1992). In the United States, the song reached number seven on the Album Rock Tracks charts and number 12 on the Billboard Hot 100, making the song the most successful single from the album in the US.
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The Story So Far – The Best Of is a greatest hits album by the English rock band Def Leppard.The album has a similar track listing to previous compilations; however it is the first to include tracks from the band's recent studio efforts Songs from the Sparkle Lounge (2008) and Def Leppard (2015) as well as all three studio tracks from Mirror Ball – Live & More (2011).
A review from AllMusic says the Tear It Down "turns over Bring Me the Workhorse ' s tracks to sonic manipulators, most of whom go with a subtle, stripped-down approach that focuses on Worden's glorious voice and string arrangements, augmented by a few abstract beats," and closes with noting "like most remix albums, Tear It Down is a little uneven, but it's more solidly entertaining than many ...