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A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. [1] It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the Classical tutu is short and stiff, projecting horizontally from the ...
Materials used for tutus, such as chiffon, silk tulle, [11] and organza were later incorporated into fashion collections. [15] The romantic-era tutu style also had an influence on the design of gowns. In the 1930s, longer dresses with tulle skirts became fashionable, as exemplified by Coco Chanel's 1937 "Etoiles" dress.
The upper part of dresses could now be tailored exactly to the body. Men's dresses were buttoned on the front and women's dresses got a décolletage. The lower part of men's dresses were much shorter in length than those for women. They were wide cut and often pleated with an A-line so that horse riding became more comfortable.
[9] [8] It has been claimed that in the 13th century the fustanella was a common dress for Dalmatian men, regarded as one of the Illyrian ancestors of the Albanians. [9] Sir Arthur Evans said that the Albanian fustanella of the female peasants (worn over and above the Slavonic apron) living near the modern Bosnian - Montenegrin borders was a ...
Young woman in 1980 wearing a low-cut spaghetti strap dress. The early 1980s witnessed a backlash against the brightly colored disco fashions of the late 1970s in favor of a minimalist approach to fashion, with less emphasis on accessories. In the US and Europe, practicality was considered just as much as aesthetics.
In Fijian culture, both women and men traditionally wore skirts called the liku made from hibiscus or root fibers and grass. [12] [13] In Māori culture there is a skirt-like garment made up of numerous strands of prepared flax fibres, woven or plaited, known as a piupiu which is worn during Māori cultural dance. [14]
The dress was a unisex garment which both men and women wore. The skirt was made from sheepskin and was worn with the skin turned inside and with tufts ornamented like a toothed-comb over the wool. It was used in the form of a wraparound skirt tied and worn from the waist extending to the knees. [8]
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
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