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The earliest similar table was described in 1903 and was based on the 18th-century sawbuck table; the most common modern design, known in initially as a "Lassen table", was first used in 1926. While the original and most common material for picnic tables is wooden boards, they may be made anything from split logs to concrete to recycled HDPE ...
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Most examples have one or more drawers and four legs, sometimes connected by stretchers. Their design meant they could easily be stored or moved about and conveniently opened for serving tea, dining, writing, or other occasional uses. One account attributes the design of the Pembroke table to Henry Herbert, 9th Earl of Pembroke (1693-1751). [11]
The palm stems were tightly woven into interlocking panels, and formed into the desired structure. Now, most modern wicker furniture is made from synthetic resin, increasing the life expectancy and reducing manufacturing costs. Today's resin furniture is often made of recycled plastic and incredibly durable, usually carrying warranties of 20 ...
Chronologically the design movement that produced modern furniture design, began earlier than one might imagine. Many of its most recognizable personalities were born of the 19th or the very beginning of the 20th centuries. Walter Gropius 1883–1969; Lilly Reich 1885–1947; Ludwig Mies van der Rohe 1886–1969; Eileen Gray 1878–1976; Le ...
July is National Picnic Month. Here are 31 picnic-perfect recipes to pack your basket with, including salads, sides, sandwiches, drinks and desserts.
The concept of Rustic Modern interior design received increased attention after 2000, especially in the State of California. [3] This incarnation of the design method includes design elements alternatively known as "kitsch" that represent eras of design in the 20th century such as chalkboards or twig racks alongside modern conveniences like reduced energy lighting and other state-of-the-art ...
The term "International Style" was first used in 1932 by the historian Henry-Russell Hitchcock and architect Philip Johnson to describe a movement among European architects in the 1920s that was distinguished by three key design principles: (1) "Architecture as volume – thin planes or surfaces create the building’s form, as opposed to a solid mass"; (2) "Regularity in the facade, as ...
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