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Immediacy is a philosophical concept related to time and temporal perspectives, both visual, and cognitive. Considerations of immediacy reflect on how we experience the world and what reality is. It implies a direct experience of an event or object bereft of any intervening medium.
Immediacy, a concept in vested interest (communication theory) Immediacy, a condition in the Buddhist Twelve Nidānas; Immediacy (philosophy), a philosophical concept; Immediacy, one of the 10 principles of the Burning Man event; Imperial immediacy, in the Holy Roman Empire, the status of persons not subject to local lords but only to the emperor
Considerations of the ways the self is involved in processes of mediation and remediation enable an examination of the effect of the desire for immediacy within media. Bolter and Grusin assert that "instead of trying to be in the presence of the objects of representation, the subject now defines immediacy as being in the presence of media". [28]
This list records the bishops of the Roman Catholic Diocese of Minden (German: Bistum Minden), a suffragan of the Archdiocese of Cologne, who were simultaneously rulers of princely rank (prince-bishop) in the Prince-Bishopric of Minden (German: Hochstift Minden; est. 1180 and secularised in 1648), a state of imperial immediacy within the Holy Roman Empire.
Imperial immediacy (Reichsfreiheit or Reichsunmittelbarkeit; adjectives reichsfrei, reichsunmittelbar) was a privileged feudal and political status, a form of statehood within the Holy Roman Empire. The ruler of an immediate city, abbey or territory had no overlord other than the Holy Roman Emperor and the Imperial Diet.
Immediacy: An immediate consequence is more effective than a delayed one. If one gives a dog a treat for sitting within five seconds, the dog will learn faster than if the treat is given after thirty seconds.
The jury particularly liked the closeness and intimacy with the protagonists, this was mainly achieved due to the fact that Schmid shot most of the film herself. The immediacy is further enhanced by the formal humbleness, relying fully on the characters. [5] The documentary was widely discussed in public and Swiss media.
Allan Barr observes that "Pu Songling was keenly conscious that vivid effects could be achieved by the use of dialogue" and "he frequently relied on colloquial speech to lend immediacy to a scene" as is evidenced by Mr. Miao's rebuke of Gong's friends at the picnic.