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A violin in the process of being restored. The conservation and restoration of musical instruments is performed by conservator-restorers who are professionals, properly trained to preserve or protect historical and current musical instruments from past or future damage or deterioration.
Sharon Que (Querciagrossa) (born May 18, 1960 in Detroit, Michigan) is an American visual artist and luthier, based in Ann Arbor, specializing in violin restoration and repair. It has been said that much of Que’s imagery can be perceived as multilayers, with some forms suggesting a mix of spiritual, secular, and mathematical or even ...
Bein & Fushi, Inc. is a stringed instrument dealership and repair shop in Chicago founded in 1976, known internationally for its dealership of antique string instruments such as those made by luthiers Antonio Stradivari and Giuseppe Guarneri. Bein & Fushi includes the Stradivari Society, known for lending rare violins to young aspiring artists.
DeBence Antique Music World Band Organ by Artizan Factories Inc., at the Drake Day Circus at Drake Well Park, August 24, 2013. DeBence Antique Music World is a museum in Franklin, Pennsylvania whose collection contains more than 100 antique mechanical musical instruments, including music boxes, band organs, player pianos, a nickelodeon piano, as well as a number of other antiques.
The purported inventor of the violin is Andrea Amati. Amati was originally a lute maker, but turned to the new instrument form of violin in the mid-16th century. He was the progenitor of the Amati family of luthiers active in Cremona, Italy until the 18th century. Andrea Amati had two sons.
According to an 1898 book, he had soon gained "practically a monopoly of the old violin business in the provinces", being both knowledgeable and a skilled performer. [2] In 1892, he divided his business in two, forming Beare & Son and Beare, Goodwin & Co, [ 1 ] taking on Edward Goodwin as a partner in the latter and leaving his son Walter to ...
Regina Music Box – Regina's music boxes were their original product, and they had an 80–90% share of the market at the company's peak. Regina music boxes use a flat metal disc, as opposed to a cylinder. Sizes ranged from 8.5 to 27 inches. The boxes were renowned for the rich tone, and they used a double set of tuned teeth.
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...