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Examples include Superliminal and the video game adaptations of the Backrooms among many others. Liminal Space is an album by American breakcore artist Xanopticon. Coil mention liminality throughout their works, most explicitly with the title of their song "Batwings (A Limnal Hymn)" (sic) from their album Musick to Play in the Dark Vol. 2.
By extension, liminal beings of a mixed, hybrid nature appear regularly in myth, legend and fantasy. A legendary liminal being is a legendary creature that combines two distinct states of simultaneous existence within one physical body.
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
Rites of passage have three phases: separation, liminality, and incorporation, as van Gennep described. "I propose to call the rites of separation from a previous world, preliminal rites, those executed during the transitional stage liminal (or threshold) rites, and the ceremonies of incorporation into the new world postliminal rites." [5]
Types of liminal deities include dying-and-rising deities, various agricultural deities, psychopomps and those who descend into the underworld: crossing the threshold between life and death. Vegetation deities mimic the annual dying and returning of plant life, making them seasonally cyclical liminal deities in contrast to the one-time journey ...
A herma was a statue associated with Hermes. It was used to mark boundaries and crossroads in ancient Greece, and thought to ward off evil. Museum of Ancient Messene, Greece. In Greek mythology, crossroads were associated with both Hecate and Hermes, with shrines and ceremonies for both taking place there.
Liminality is a limbo, an ambiguous period characterized by humility, seclusion, tests, sexual ambiguity, and communitas. [3] During liminal phases, established social classifications and cultural norms often break down.
Tsukasa arrives and the party reaches Net Slum, Helba's domain. Helba reveals Morganna's plan, and Tsukasa reveals to Subaru that he is a girl in real life. The party plans to defend Subaru from Morganna, since Morganna wants Tsukasa to be in despair. Tsukasa decides that he wants to meet Subaru in real life.