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Soe Tjen Marching (born 1971) Myriam Marbe (1931–1997) Rosanna Scalfi Marcello (fl. 1723–1742) Bunita Marcus (born 1952) Tera de Marez Oyens (1932–1996) Maria de Raschenau (fl. 1690s–1703) Maria de Ventadorn (fl. late 12th century) Ljubica Maric (1909–2003) Marie de France (c.1160–1215) Maroie de Dregnau de Lille (fl. 13th century)
List of women composers by name This page was last edited on 7 September 2024, at 02:52 (UTC). Text is available under the Creative Commons Attribution ...
Most march composers were from the United States or Europe. Publishing new march music was most popular during the late 19th and early 20th centuries; sponsors of the genre began to diminish after that time. Following is a list of march music composers whose marches are still performed in the United States. Russell Alexander (1877–1915)
This is a list of 20th-century American women composers ordered alphabetically by surname. A. Mildred ...
This is a list of composers by name, alphabetically sorted by surname, then by other names.The list of composers is by no means complete. It is not limited by classifications such as genre or time period; however, it includes only music composers of significant fame, notability or importance who also have current Wikipedia articles.
Helen May Butler (1867–1957) was an American bandleader and composer who has been called "The female Sousa".Leading an all-women's band from 1898 to 1912, she had an extremely successful career at a time when women were discouraged from such public activities. [1]
Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
Among the reasons for historical under-representation of women composers Citron has adduced problems of access to musical education [2] and to the male hierarchy of the musical establishment (performers, conductors, impresarios etc.); [3] condescending attitudes of male reviewers, and their association of women composers with "salon music ...