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Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued) Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued) High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued) The list below is from 1966; "A" was 16mm, "B" was 35mm. [7]
A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced or unknown filmmakers can also have low budgets.
The name "redscale" comes because there is a strong color shift to red due to the red-sensitive layer of the film being exposed first, rather than last [the red layer is normally the bottom layer in C-41 (color print) film]. All layers are sensitive to blue light, so normally the blue layer is on top, followed by a filter.
Flic film: Cine color 200T: 2022- T 200 ECN-2 Print Tungsten balanced color negative cinema film, Kodak Vision 3 5213. [56] USA/Canada 135-36 Flic film: Cine color 500T: 2022- T 500 ECN-2 Print Tungsten balanced color negative cinema film, Kodak Vision 3 5219. [56] USA/Canada 135-36 Flic film: Elektra 100: 2023- T 100 C-41 Print
[55]: 63 Because the equipment needed to produce digital feature films can be obtained more easily than film projectors, producers could inundate the market with cheap productions and potentially dominate the efforts of serious directors. Because of the quick speed in which they are filmed, these stories sometimes lack essential narrative ...
This shift underscores a transformative phase for the industry, where digital distribution is increasingly becoming a vital revenue source for filmmakers and studios. Currently, the OTT audience in India stands at 547 million users, reflecting a 14% increase from 2023’s 481 million, representing a 38% market penetration. [5]
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