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Something/Anything? is the third album by American musician Todd Rundgren, released in February 1972. It was Rundgren's first album released under his own name, following two records credited to the quasi-group project Runt, and was also his first double album .
In Todd We Trust (SGC, 1989) (Nazz, Runt and Utopia) The Best of Todd Rundgren (Rhino, 1992) The Very Best of Todd Rundgren (Rhino, 1997) Free Soul (Victor, 14 July 1998) (Japanese release) The Best of Todd Rundgren "Go Ahead. Ignore Me." (Essential, 1999) The Essentials (Rhino, 2000) Best Of – I Saw the Light (Essential, 2000) Somewhere ...
Todd Rundgren is preparing us for a generation of frenzied children who will dream in animation." [ 43 ] NME ' s Nick Kent wrote that it was "a great record", praising its "versatility", and ended his review by saying it was "already destined to be one of my ten best-dressed of '73, and you deserve a kick in the pants if you don't purchase it."
Something/Anything?, the first album officially issued under the name "Todd Rundgren", was released in February 1972, shortly after Bearsville had signed a long-term distribution deal with Warner Bros. Records. [49] The album included many songs that would become his best-known.
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Todd Rundgren, mid-1970s Rundgren had a successful career as a solo artist and with the band Utopia . His biggest solo hit was an up-tempo version of "Hello It's Me", from his 1972 Something/Anything? album, which peaked at #5 on the Billboard Hot 100 on 22 December 1973.
Todd is the fifth studio album (and second double album) by American musician Todd Rundgren, released in February 1974 on Bearsville Records. It is the follow-up to the previous year's A Wizard, a True Star and features a comparatively heavier reliance on guitar playing and synthesizers. About half of the tracks were performed by Rundgren alone ...
Rundgren is backed on the album by the other three members of Utopia: Roger Powell on keyboards, John Siegler on bass, and John Wilcox on drums. The first side is dedicated to "faithful" re-recordings of songs from 1966, while side two contains original songs inspired by music of that time period.
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