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Italian term Literal translation Definition Bel canto: beautiful singing: Any fine singing, esp. that popular in 18th- and 19th-century Italian opera Bravura: skill: A performance of extraordinary virtuosity Bravo: skillful: A cry of congratulation to a male singer or performer. (Masc. pl. bravi; fem. sing. brava; fem. pl. brave.)
Irko was born and raised in Conegliano, getting his start in music producing beats and working as a DJ. [1] He gravitated towards hip hop because of the "heavy hitting" boom bap drums and bass.
This category is for articles about words and phrases from the Italian language. This category is not for articles about concepts and things but only for articles about the words themselves . As such almost all article titles should be italicized (with Template:Italic title ).
The song is intended to sound to its Italian audience as if it is sung in English spoken with an American accent; however, the lyrics are deliberately unintelligible gibberish. [ 9 ] [ 10 ] Andrew Khan, writing in The Guardian , later described the sound as reminiscent of Bob Dylan 's output from the 1980s.
Italian grammar is the body of rules describing the properties of the Italian language. Italian words can be divided into the following lexical categories : articles, nouns, adjectives, pronouns, verbs, adverbs, prepositions, conjunctions, and interjections.
"Bella ciao" (Italian pronunciation: [ˈbɛlla ˈtʃaːo]; "Goodbye beautiful") is an Italian song dedicated to the partisans of the Italian resistance, who fought against the occupying troops of Germany and the collaborationist Fascist forces during the liberation of Italy.
s followed by a vowel, s followed by a voiceless consonant, and s between vowels is always a voiceless [s], sound like the s in the Italian word sacco. s followed by a voiced consonant becomes voiced [z], as in Italian. scc is pronounced [ʃtʃ], like sc of the Italian word scena followed sonorously by c of the Italian word cilindro.
In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").
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