enow.com Web Search

Search results

  1. Results from the WOW.Com Content Network
  2. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    While ragas in Hindustani music are divided into thaats, ragas in Carnatic music are divided into melakartas. A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [1] [2]) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. [3]

  3. Indian classical music - Wikipedia

    en.wikipedia.org/wiki/Indian_classical_music

    A raga is a central concept of Indian music, predominant in its expression. According to Walter Kaufmann, though a remarkable and prominent feature of Indian music, a definition of raga cannot be offered in one or two sentences. [74]

  4. List of ragas in Hindustani classical music - Wikipedia

    en.wikipedia.org/wiki/List_of_ragas_in...

    This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.

  5. Gamaka (music) - Wikipedia

    en.wikipedia.org/wiki/Gamaka_(music)

    Kampita – Probably the defining gamaka in Carnatic, kampita is oscillation of notes. Most of these oscillations are unique to Carnatic and distinctive from other shakes seen in world music. Kampita can be of various types based on speed, amplitude and/or and number of repeats the note is oscillated, based on musical context within a raga.

  6. Bhimpalasi - Wikipedia

    en.wikipedia.org/wiki/Bhimpalasi

    The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609. Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983; Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.

  7. Arohana - Wikipedia

    en.wikipedia.org/wiki/Arohana

    Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga. [1] The pitch increases as we go up from Shadja (Sa) to the Taar Shadja (Sa), possibly in a crooked (vakra) manner.

  8. Taan (music) - Wikipedia

    en.wikipedia.org/wiki/Taan_(music)

    Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.

  9. Pilu (raga) - Wikipedia

    en.wikipedia.org/wiki/Pilu_(raga)

    Pilu or Peelu is a raga of Hindustani classical music. ... (1995), "The Rags of North Indian Music: Their Structure & Evolution" (PDF), Asian Music, 4 (2), ...