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Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Op. 9 No. 4 – Violin Sonata in A major; Op. 9 No. 5 – Violin Sonata in A minor; Op. 9 No. 6 – Violin Sonata in D major; Op. 9 No. 7 – Violin Sonata in G major; Op. 9 No. 8 – Violin Sonata in C major; Op. 9 No. 9 – Violin Sonata in E flat major; Op. 9 No. 10 – Violin Sonata in F sharp minor; Op. 9 No. 11 – Violin Sonata in G minor
Sonata No. 1 for violin solo in B minor, Op. 20; Sonata No. 2 for violin solo in A minor, Op. Posth. Jorge Grundman. Terezin Through the Eyes of the Children (2012) Shoah for Solo Violin and Sacred Temple (2016): (I. Yom HaShoah; II. Ghetto Warszawskie; III. Terezín Through the Eyes of the Children; IV. Babi Yar; V. Bergen-Belsen; VI. The Last ...
Violin Sonata No. 1, Op. 80 (Prokofiev): Scores at the International Music Score Library Project; Recording of Violin Sonata No. 1, Sergei Ostrovsky (violin), Ido Bar-Shai (piano) (Wayback Machine archive). on YouTube, Oistrakh, Oborin (1946) on YouTube, Live recording from Wigmore Hall, Lana Trotovšek (violin), Maria Canyigueral (piano)
Beethoven's 'Kreutzer' sonata is frequently performed. Mozart was instrumental in the development of the classical violin sonata of which at least 36 are known. Mozart wrote mostly two movement sonatas, generally a fast movement in sonata form and a second, slower movement in various formats. In his later sonatas he added a third fast movement ...
The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
It is in a Sonata form, with the two main themes first heard one after another (the first at rehearsal 28, the second at 31) and then restated almost contiguously until the cadence at rehearsal 34. Long development sections based on the first and then second theme follow and end at rehearsal 45, with the same cadence motive found at 34.
Sonata in A for Keyboard, Violoncello and Violin (or Flute), K. 12 (1764) Sonata in F for Keyboard, Violoncello and Violin (or Flute), K. 13 (1764) Sonata in C for Keyboard, Violoncello and Violin (or Flute), K. 14 (1764) Sonata in B-flat for Keyboard, Violoncello and Violin (or Flute), K. 15 (1764) Violin Sonatas, KV 26–31 (1766) Sonata in E ...