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Arthur Lessac (September 9, 1909 – April 7, 2011) was the creator of Lessac Kinesensic Training for the voice and body. Lessac's voice text teaches the “feeling process” for discovering vocal sensation in the body for developing tonal clarity, articulation, and for better connecting to text and the rhythms of speech.
Catherine Fitzmaurice is the originator of Fitzmaurice Voicework, whose purpose "is to support people in finding and using their unique voices — in healthy, clear, and creative ways — while developing greater freedom and presence" and which is taught in acting schools, studios, workshops, and private lessons throughout the United States and the world. [1]
Describing vocal sound is an inexact science largely because the human voice is a self-contained instrument. Since the vocal instrument is internal, the singer's ability to monitor the sound produced is complicated by the vibrations carried to the ear through the Eustachean (auditory) tube and the bony structures of the head and neck.
Rodenburg trained in Voice Studies at the Central School of Speech and Drama, [2] and initially worked as an actress before moving into teaching. [3] She has been Head of Voice at the Guildhall School of Music and Drama in London since 1981 and the Director of Voice at Michael Howard Studios in New York from 1982 to 2020. [1]
Stanislavski's early productions were created without the use of his system. His first international successes were staged using an external, director-centred technique that strove for an organic unity of all its elements—in each production he planned the interpretation of every role, blocking, and the mise en scène in detail in advance. [12]
The term is defined by Paul Campbell (The Speaking and Speakers of Literature; Dickinson, 1967) as the "oralization of literature", and by Charlotte Lee and Timothy Gura (Oral Interpretation; Houghton-Mifflin, 1997) as "the art of communicating to an audience a work of literary art in its intellectual, emotional, and esthetic entirety ...
Douglas Stanley (7 April 1890 [1] [note 1] – 19 April 1958) was an English-born American vocal pedagogue and scientist. Best known as the voice teacher of Nelson Eddy and Cornelius Reid, he was at the forefront of the field of voice science, pioneering instruments, methodologies, and techniques of standardization in researching and measuring vocal acoustics, use, and behaviors—especially ...
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
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