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He is best known for his stained glass, although he also designed jewellery. His best known works include the Argyll Window in Saint Giles Cathedral, Edinburgh (1896) and windows depicting both the nativity (Mayfield Church, 1912) and the Crucifixion (The Church of the Good Shepherd, Murrayfield).
Stained glass windows of Chartres Cathedral; Christ between the Apostles John and Paul (Christ Preaching) Church of Our Savior (Boynton Beach, Florida) Church of the Good Shepherd (Rosemont, Pennsylvania) Cologne Cathedral Window
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
Some suncatchers. A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime.
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2 ...
Understanding and interpreting the windows can be difficult in an era out of contact with medieval theology, teachings and sermons commenting on the Gothic cathedrals' stained glass windows. However, the presence of the famous 12th-century School of Chartres suggests that the precise placing of the windows had meaning for their designers.
He founded the Loire Studio in Chartres, France which continues to produce stained glass windows. Loire was a leader in the modern use of "slab glass" (French: dalle de verre), which is much thicker and stronger than the stained glass technique of the Middle Ages. The figures in his windows are mostly Impressionistic in style. [1]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
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