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"How Far I'll Go" was composed as Moana's "I Want" song, following in the long tradition of "I Want" songs in 1990s Disney animated musicals. [3] [4] It replaced an earlier attempt called "More", for which the demo version recorded by Marcy Harriell was released as an outtake on the deluxe version of the soundtrack album.
How Far I'll Go" appears during the film performed by actress Auliʻi Cravalho, and during the end credits performed by Canadian singer-songwriter Alessia Cara. [12] A music video for Cara's version of the song was released on November 3, 2016. [13] It reached number 88 on the Billboard Hot 100 for the week of December 17, 2016. [14]
for female chorus (2 sopranos) and piano: words by Fritz Hart: Choral: 1899: Autumn Song: for female chorus a cappella: words by Francis Thompson; also for mixed chorus a cappella, Op. 9a No. 2 Choral: 48: 9a: 1897–1900: 5 Part-Songs
5 days after the original video was uploaded, another user uploaded a version with his own singing. After that, many users began to upload spin-offs (such as the play version, dance version) of the original video. Some of the lyrics from the original songs were improvised or mondegreen were used instead. Users sometime compile multiple user ...
Till the day when I'll be going down That long, long trail with you. All night long I hear you calling, Calling sweet and low; Seem to hear your footsteps falling, Ev'ry where I go. Tho' the road between us stretches Many a weary mile, I forget that you're not with me yet When I think I see you smile. Chorus: There's a long, long trail a-winding
"Go West" is a song by American disco group Village People, released in June 1979 by Casablanca Records as the second single from their fourth studio album of the same name (1979). The song was written by Jacques Morali , Henri Belolo and lead singer Victor Willis , while Morali produced it.
Chôros No. 10 ("Rasga o Coração") is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos.It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour.
[8] [7] [9] Before each chorus, she gradually increases the melodrama in tone and demands for a song to be played "with a fucking beat". [ 6 ] [ 8 ] [ 7 ] [ 10 ] During the chorus, the sound of a dirt bike revving is used in the background, [ 2 ] before synthesizers are played. [ 6 ]