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"How Far I'll Go" was composed as Moana's "I Want" song, following in the long tradition of "I Want" songs in 1990s Disney animated musicals. [3] [4] It replaced an earlier attempt called "More", for which the demo version recorded by Marcy Harriell was released as an outtake on the deluxe version of the soundtrack album.
How Far I'll Go" appears during the film performed by actress Auliʻi Cravalho, and during the end credits performed by Canadian singer-songwriter Alessia Cara. [12] A music video for Cara's version of the song was released on November 3, 2016. [13] It reached number 88 on the Billboard Hot 100 for the week of December 17, 2016. [14]
On the "screen level", Mergui sang the song "How Far I'll Go" from the movie Moana, which lifted the screen and won 88%. In February 2018 he qualified for the grand final of the series, he competed against Chen Aharoni, Netta Barzilai and Riki Ben Ari. At the grand final event he won 205 points, trailing at second behind Netta Barzilai – with ...
He was in the film version of Jesus Christ Superstar as the apostle Thaddeus. Walsh made his Broadway debut in the chorus of Seesaw in 1973. [2] Also in 1973 he appeared in the flop Rachael Lily Rosenbloom (And Don't You Ever Forget It), which starred Ellen Greene and Anita Morris, and did not officially open on Broadway after 7 previews. [3] [4]
Brandon Kelly Armstrong was born on June 5, 1994, in San Francisco, California.He identifies as mixed race; he is half African American and half Polynesian. [3] Armstrong was adopted at birth by a white military family and was raised Mormon in Napa, California. [4]
In an article published by Billboard in November 2019, "My Heart Will Go On" has 588.2 million on-demand streams in the US, making it her most streamed song in the country. [ 89 ] In addition "My Heart Will Go On" reached number one in several other US charts, including, Billboard ' s Hot Adult Contemporary Tracks , [ 84 ] Top 40 Mainstream ...
New City Stage wrote that "the brilliance of A Chorus Line has always been in the undeniable synergy of all its creative elements. Case in point: the show’s fifteen-minute "Hello Twelve, Hello Thirteen, Hello Love" number, better known as the 'Montage' since it actually consists of musical numbers within numbers, monologues, lyrical fragments and all-out dance sequences."
TheatrePeople described the musical style as "lively jazz swing", [2] while MovieMet called it "an energetic, post-Vaudevillian song-and-dance" and added it "will remind film fans of Donald O’Connor’s “Make ‘em Laugh” routine from “Singin’ in the Rain”". [3]