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Ananym: a name with reversed letters of an existing name; Aptronym: a name that aptly represents a person or character; Charactonym: a name which suggests the personality traits of a fictional character; Eponym: applying a person's name to a place; Pseudonym: an artificial fictitious name, used as an alternative to one's legal name
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist . The words to an extended musical composition such as an opera are, however, usually known as a " libretto " and their writer, as a " librettist ".
A style of composition in which two sections of singers or instrumentalists exchange sections or music one after the other; typically the performers are on different sides of a hall or venue apaisé (Fr.) Calmed appassionato Passionate appoggiatura or leaning note One or more grace notes that take up some note value of the next full note. arco
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich: a half of a line of verse.
Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music, it is an art song . Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants .
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Every valley shall be exalted, and every mountain and hill made low; the crooked straight, and the rough places plain. (Isaiah 40:4) [4] In Handel's melody, the word "valley" ends on a low note, "exalted" is a rising figure; "mountain" forms a peak in the melody, and "hill" a smaller one, while "low" is another low note.