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Several distinct sounds are created by various parts of the train, such as engines, traction motors, brakes, and the wheels rolling on the rails. Roughness and irregularities on the wheel and rail surfaces are a source of noise and vibration. Rail joints and squats on the rail cause a familiar "clickety-clack" sound as train wheels roll over them.
For all new or replacement train horns on trains capable of travelling up to 100 mph (160 km/h) a much lower minimum sound pressure level has been established – and a maximum sound level has been introduced (min 101 dB and max 106 dB). British train horns have two tones, high or low, and in some cases, a loud or soft setting.
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Spectrogram of the train sound. The Sea Train is the name given to a sound recorded on March 5, 1997, on the Equatorial Pacific Ocean autonomous hydrophone array. The sound rises to a quasi-steady frequency. According to the NOAA, the origin of the sound is most likely generated by a very large iceberg grounded in the Ross Sea, near Cape Adare. [10
Given the tonal design of the train whistle, the sound level, how often trains pass through a given community, the number of grade crossings in proximity, and the time of day (night) of occurrence, community residents residing near crossing sometimes feel that train whistles have a serious detrimental effect on the quality of life despite the ...
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
Le chemin de fer likely was the first musical representation of train departure and arrival.. In 1844, French classical pianist Charles-Valentin Alkan composed Le chemin de fer ("The Railroad"), a programmatic étude for piano designed to depict the happy journey of train passengers from departing a train station to portraying the train pulling into a second station.
There is a return to the American train sounds from the first movement. Reich developed his "speech melody" work further with projects such as The Cave (1993) and City Life (1995). The technique also appears in WTC 9/11 (2011), a similar work dealing with human tragedy juxtaposed with everyday life and responses to it.
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