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The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the late 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. [3] [4] [5]
The commercials featured an original theme song which was a parody of "Down on the Corner" by Creedence Clearwater Revival. In addition to standard blue on black and pink on black color schemes, 3 variations of Pocket Rockers were released utilizing Memphis Milano (a popular and contemporary design style at the time).
A boombox is a transistorized portable music player featuring one or two cassette tape players/recorders and AM/FM radio, generally with a carrying handle. Beginning in the mid-1990s, a CD player was often included. [2] Sound is delivered through an amplifier and two or more integrated loudspeakers.
Panasonic Stereo Cassette Player RQ-JA63. The first portable audio player available to the general public, the Sony Walkman, was introduced in 1979 and sold very well.It was much smaller than an 8-track player or the earlier cassette recorders, and was listened to with stereophonic headphones, unlike previous equipment which used small loudspeakers.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Atomizer is pictured on the cover artwork as an eight-track tape playing in a Panasonic TNT portable player. The title of the album, and the liner notes by Steve Albini, show the band's low regard for compact discs, drawing parallels between CD and the 8-track tape of 1970s, preferring to release all of their material on vinyl LP records.
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Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). Scully 280 eight-track recorder at the Stax Museum of American Soul Music Digital audio interface for the Pro Tools computer-based hard disk multitrack recording ...