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The hymn appeared in both High German, such as a Frankfurt print of 1563, [2] and in Low German spoken mainly in northern Germany, such as the 1565 hymnal Enchiridion geistliker leder und Psalmen from Hamburg, titled "Ein gebedt tho Christo umme ein salich affscheidt uth dissem bedröneden leuende" (A prayer to Christ for a blessed departure from this troubled life). [3]
In her autobiography, Crosby wrote that this was her first hymn to be set to music by Lowry. [1] The hymn was first published in Brightest and best : a choice collection of new songs, duets, choruses, invocation and benediction hymns for the Sunday school and meetings of prayer and praise (edited by Dr. Lowry and W. Howard Doane) in 1875 by the New York publisher Biglow & Main.
Oh Dearest Jesus Johann Heermann: Johann Crüger: German 1630 "O Haupt voll Blut und Wunden" O Sacred Head, Now Wounded Paul Gerhardt: Hans Leo Hassler: German 1656 "Jesu Leiden, Pein und Tod" Suffering, pain and death of Jesus Paul Stockmann: Melchior Vulpius: German 1633 "Jesu, meines Glaubens Zier" Gottfried Wilhelm Sacer: Zahn 6453 (1714)
The hymn has been used by numerous composers, including Johann Sebastian Bach. There is a version for organ, BWV 720, written early in his career, possibly for the organ at Divi Blasii, Mühlhausen. [20] He used the hymn as the basis of his chorale cantata Ein feste Burg ist unser Gott, BWV 80 written for a celebration of Reformation Day.
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
The infant Jesus is the source of this peace and happiness: “Remember Christ our Saviour was born upon this day / To save us all from Satan’s power / When we were gone astray / O tidings of ...
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.