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Star Trek: The Original Series. ) " Patterns of Force " is the twenty-first episode of the second season of the American science-fiction television series Star Trek. Written by John Meredyth Lucas and directed by Vincent McEveety, it was first broadcast on February 16, 1968. In the episode, the crew of the Enterprise tracks down a Federation ...
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
In the mid-19th century, Lavers, Barraud and Westlake were among many young designers who responded to the growing market for stained glass windows. The partnership initially comprised Nathaniel Wood Lavers (1828–1911) and Francis Philip Barraud (1824–1900). [note 1] Both were originally employed at the workshops of James Powell and Sons.
Douglas Strachan (26 May 1875, Aberdeen, Scotland – 20 November 1950) is considered the most significant Scottish designer of stained glass windows in the 20th century. He is best known for his windows at the Peace Palace in The Hague, Netherlands, at Edinburgh's Scottish National War Memorial and in cathedrals and churches throughout the United Kingdom.
Roots of Knowledge is a permanent stained glass display completed in 2016 at Utah Valley University (UVU) in Orem, Utah, United States. The creation of the exhibit was designed and overseen by stained glass artists Tom Holdman and Cameron Oscarson. It took over 12 years and cost US$4.5 million to complete.
Edward Liddall Armitage. Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. [1] He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury. In the 1940s to the early 1960s, Armitage was the chief stained glass designer for James Powell and Sons.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]