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Foil (narrative) In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. [2][3][4] A foil to the protagonist may also be the antagonist of the plot. [5]
For example, transitions can be anything from a sentence to a full paragraph which contrasts with the five-paragraph essay where one sentence is encouraged for all transitions, rather than a full paragraph. A writer could also can set up a callback to the beginning of the essay.
A stock character, popular in 16th-century Spanish literature, who is comically and shockingly vulgar. Clarín, the clown in Pedro Calderón de la Barca 's Life is a dream, is a gracioso. Examples of similar characters in Anglophone culture include Bubbles, Wheeler Walker, Jr. and the stand-up persona of Bob Saget.
This stock character provides pathos as yet another counterpoint to the plays' comic business and royal pomp." [8] Tara Brabazon discusses how the "school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero.
List of fictional antiheroes. This list is for characters in fictional works who exemplify the qualities of an antihero —a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [ 1 ]
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Scholars have described the narrative structure of The Lord of the Rings, a high fantasy work by J. R. R. Tolkien published in 1954–55, in a variety of ways, including as a balanced pair of outer and inner quests; a linear sequence of scenes or tableaux; a fractal arrangement of separate episodes; a Gothic cathedral-like edifice of many different elements; multiple cycles or spirals; or an ...