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Vladimir Grigoryevich Tretchikoff (Владимир Григорьевич Третчиков, 26 December [O.S. 13 December] 1913, Petropavlovsk, Russian Empire, now Petropavl in Kazakhstan [1] – 26 August 2006, Cape Town, South Africa) was an artist whose painting Chinese Girl, popularly known as The Green Lady, is one of the best-selling art prints of the twentieth century.
Chinese Girl (often popularly known as The Green Lady) is a 1952 painting by Vladimir Tretchikoff. Mass-produced prints of the work in subsequent years were among the best-selling of the twentieth century. [ 1 ]
Zhou Fang's Buddha, celestial beings, figures, and paintings of beautiful women are all incredible masterpieces. Zhou created paintings of goddesses modelled after imperial court ladies, a development that indicated religious painting was to become more realistic, and that secular painting was beginning to take on its initial form.
Chang Ch'ung-ho or Zhang Chonghe (1914–2015), Chinese-American poet, painter, calligrapher; Georgette Chen (1906-1993), Chinese-Singaporean modern art painter; Chen Jin (1907-1998), first Taiwanese painter to achieve national recognition; Chen Ke (born 1978), painter; Movana Chen (born 1975), paper knitting artist
Guan Zilan (Chinese: 關紫蘭; Wade–Giles: Kuan Tzu-lan; January 1903 – 30 June 1986), [1] also known as Violet Kwan, was a Chinese avant-garde painter. [2] She was one of the first artists to introduce Fauvism to China, and was known for applying Western painting style to Chinese traditional subjects.
Bamboo and Stone (竹石图), Guan Daosheng, ink on paper, National Palace Museum, Taipei. Guan Daosheng, also known as Guan Zhongji or Lady Zhongji (her courtesy name) (Chinese: 管道昇; Wade–Giles: Kuan Tao-sheng; 字仲姬；1262–1319), was a Chinese painter and poet who was active during the early Yuan dynasty.
In one painting, a child sits, mouth wide open, as a worker in white medical garb extends a long cotton swab toward her tonsils. Zeng has spent much of his life in service to the Chinese state ...
Yun Bing (Chinese: 惲冰, dates unknown), courtesy names Qingyu (Chinese: 清於) and Haoru (Chinese: 浩如), was a Chinese painter during the Qianlong era. She is well known for her bird-and-flower paintings executing the "boneless" technique, and became the most famed of the Yun family's female artists.