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Buttered cat paradox: Humorous example of a paradox from contradicting proverbs. Intentionally blank page: Many documents contain pages on which the text "This page intentionally left blank" is printed, thereby making the page not blank. Metabasis paradox: Conflicting definitions of what is the best kind of tragedy in Aristotle's Poetics.
Paradox, however, is essential to the structure and being of the poem. In The Well Wrought Urn Brooks shows that paradox was so essential to poetic meaning that paradox was almost identical to poetry. According to literary theorist Leroy Searle, Brooks' use of paradox emphasized the indeterminate lines between form and content.
Wordsworth sought to write directly and forcefully, without sophistry or wordplay. But his language is, according to Brooks, nevertheless paradoxical. For example, Brooks takes the opening lines of Wordsworth's sonnet, "It is a Beauteous Evening, Calm and Free:" It is a beauteous evening, calm and free, The holy time is quiet as a Nun,
Although statements can be self referential without being paradoxical ("This statement is written in English" is a true and non-paradoxical self-referential statement), self-reference is a common element of paradoxes. One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false ...
Topics about Paradoxes in general should be placed in relevant topic categories. Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large.
Cleanth Brooks identifies the heresy of paraphrase in the eponymous chapter from The Well Wrought Urn, a work of the New Criticism. [1] [2] [3] Brooks argues that meaning in poetry is irreducible, because "a true poem is...an experience rather than any mere statement about experience or any mere abstraction from experience."
In a highly relevant way, this paradox echoes that of modern-day naturalists who celebrate how the immutable building blocks of DNA continually combine and recombine to produce a living world of infinite variety and change. Modern readings of Hopkins's poems stress this correspondence without necessarily resolving the inherent contradiction of ...
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...