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"The Anacreontic Song", also known by its incipit "To Anacreon in Heaven", was the official song of the Anacreontic Society, an 18th-century gentlemen's club of amateur musicians in London. Composed by John Stafford Smith , the tune was later used by several writers as a setting for their patriotic lyrics.
Herodotus believed that the Phoenicians originated from Bahrain, [16] [17] a view shared centuries later by the historian Strabo. [18] This theory was accepted by the 19th-century German classicist Arnold Heeren, who noted that Greek geographers described "two islands, named Tyrus or Tylos, and Aradus, which boasted that they were the mother country of the Phoenicians, and exhibited relics of ...
The Ship Sarcophagus: a Phoenician ship carved on a sarcophagus, 2nd century AD. The theory of Phoenician discovery of the Americas suggests that the earliest Old World contact with the Americas was not with Columbus or Norse settlers, but with the Phoenicians (or, alternatively, other Semitic peoples) in the first millennium BC. [1]
Phoenician art was largely centered on ornamental objects, particularly jewelry, pottery, glassware, and reliefs. Large sculptures were rare; figurines were more common. Phoenician goods have been found from Spain and Morocco to Russia and Iraq; much of what is known about Phoenician art is based on excavations outside Phoenicia proper.
Sanchuniathon (/ ˌ s æ ŋ k j ʊ ˈ n aɪ ə θ ɒ n /; Ancient Greek: Σαγχουνιάθων or Σαγχωνιάθων Sankho(u)niáthōn; probably from Phoenician: 𐤎𐤊𐤍𐤉𐤕𐤍, romanized: *Saḵūnyatān, "Sakkun has given"), [1] variant 𐤔𐤊𐤍𐤉𐤕𐤍 šknytn [2] also known as Sanchoniatho the Berytian, [3] was a Phoenician author.
Melqart (Phoenician: 𐤌𐤋𐤒𐤓𐤕, romanized: Mīlqārt) was the tutelary god of the Phoenician city-state of Tyre and a major deity in the Phoenician and Punic pantheons. He may have been central to the founding-myths of various Phoenician colonies throughout the Mediterranean , as well as the source of several myths concerning the ...
One theory has espoused the idea that, the destruction of Tyre, Sidon, and Carthage created a Phoenician diaspora not unlike that of the Jews and that the puzzling disappearance of Phoenicians may have been due to the attraction they might have felt for a similarly dispersed people, leading to conversion to Judaism. [8]
The song was played frequently in live concerts from the late 1960s to the early 1970s. [6] The song makes reference to the last days and trial of the 1st century AD saint, St. Stephen, the first martyr of the New Testament of the Bible, who was stoned to death (Acts 7:54-60). [3]