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The FAB series of guitar effect pedals is a budget range of pedals made by the Danelectro company that are manufactured in China. The series was launched in 2005 with the release of the FAB Distortion, FAB Overdrive, and FAB Metal pedals. Currently, eight pedals share the same distinctive injection moulded plastic casing and blue LED light.
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
Nels Cline uses Silvertone and Danelectro guitars on his album Instrumentals [12] Bruce Cockburn; Ry Cooder plays slide guitar on Silvertone guitars. [13] Elvis Costello appeared in ads for Danelectro when the brand was relaunched in the late 1990s and plays Danelectro and Silvertone guitars on his album When I Was Cruel. [14] Gianluca ...
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
The Fuzz-Tone was born. The two engineers sold their circuit to Gibson , who commercialized the device in 1962 under the name Maestro FZ-1 Fuzz-Tone . While the initial run of 5000 units was a commercial failure, sales soared after The Rolling Stones ' Keith Richards used an FZ-1 to record the main riff of the band's hit 1965 song (I Can't Get ...
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...