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Every year Shakespeare celebrates the community with its own holiday, called Field day, which is celebrated on the second Saturday of June. The event begins with the annual Fireman's Breakfast at the Shakespeare Optimist Hall, followed by a soap box derby, baseball games in the morning and a themed parade at 1 pm. Throughout the day there are free, fun events for children including races ...
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The SGC (Shakespeare Globe Zentrum Deutschland) was founded in 1991 after Sam Wanamaker experienced the Bremer Shakespeare Company's productions of The Taming of the Shrew and Antony and Cleopatra at the Globe Theatre in Neuss and directed by the company's co-founder Norbert Kentrup.
The Ontario Science Centre (OSC; originally the Centennial Museum of Science and Technology) is a science museum organization based in Toronto, Ontario, Canada. Its original location was permanently closed to the public on June 21, 2024 and was located near the Don Valley Parkway about 11 kilometres (6.8 mi) northeast of downtown on Don Mills ...
The Festival Theatre. This page describes the production history of the Stratford Festival.. The Stratford Festival (formerly known as the Stratford Shakespearean Festival, the Stratford Festival of Canada, and the Stratford Shakespeare Festival) is a summer-long celebration of theatre held each year in Stratford, Ontario. [1]
A 2008 documentary by Anne Henderson sought to tell the story of the Canadian-owned portrait of Shakespeare. [8] The film both highlighted some of the technical and financial difficulties of caring for the painting, and showcased the controversy that surrounds the Sanders Portrait and other portraits claiming to be life likenesses of William Shakespeare.
The Festival was founded as the Stratford Shakespearean Festival of Canada, by Tom Patterson, a Stratford-native journalist who wanted to revitalize his town's economy by creating a theatre festival dedicated to the works of William Shakespeare, as the town shares the name of Shakespeare's birthplace, Stratford-upon-Avon, England.
Throughout the 18th century, Shakespeare was described as a transcendent genius and by the beginning of the 19th century Bardolatry was in full swing. [6] Uneasiness about the difference between Shakespeare's godlike reputation and the humdrum facts of his biography continued to emerge in the 19th century.
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