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Gilles Deleuze was born into a middle-class family in Paris and lived there for most of his life. His mother was Odette Camaüer and his father, Louis, was an engineer. [7] His initial schooling was undertaken during World War II, during which time he attended the Lycée Carnot. He also spent a year in khâgne at the Lycée Henri IV.
The plane of immanence thus is often called a plane of consistency accordingly. As a geometric plane, it is in no way bound to a mental design but rather an abstract or virtual design; which for Deleuze, is the metaphysical or ontological itself: a formless, univocal, self-organizing process which always qualitatively differentiates from itself.
Like the first volume of Deleuze and Guattari's Capitalism and Schizophrenia, Anti-Oedipus (1972), A Thousand Plateaus is politically and terminologically provocative and is intended as a work of schizoanalysis, [2] but focuses more on what could be considered systematic, environmental and spatial philosophy, often dealing with the natural world, popular culture, measurements and mathematics.
In analytical psychology, individuation is the process by which the individual self develops out of an undifferentiated unconscious – seen as a developmental psychic process during which innate elements of personality, the components of the immature psyche, and the experiences of the person's life become, if the process is more or less successful, integrated over time into a well-functioning ...
The Fold: Leibniz and the Baroque (French: Le Pli: Leibnitz et le Baroque) is a book by Gilles Deleuze which offers a new interpretation of the Baroque and of the work of Leibniz. [1] Deleuze argues that Leibniz's work constitutes the grounding elements of Baroque philosophy of art and science.
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...
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