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The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
Piano Quintet No. 1in F Major for two violins, viola, cello and piano, Op. 69 (1931-2) 2° Trio in G Major for violin, cello and piano Op 70 (1932) Concertino per arpa, quartetto d'archi e 3 clarinetti, Op. 93 (1936–37) Silent Devotion from the "Sacred Service", Op. 122/1b (1943) for two violins, viola, cello and bass; String Quartet No. 2 in ...
Unlike a standard piano trio or a concerto, there is no standard form for a composition for a clarinet–violin–piano trio: a piece can have any number of movements. Acoustically, the choice of a clarinet, violin, and piano is characteristic in that most chamber music (and most music in general) contains high ( soprano ), mid-range ( alto ...
Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.
Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, along with his 23rd Piano Concerto, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major. [1] Moreover, the climax part of Tchaikovsky's Violin Concerto is also in A major.
These included a suite of five numbers from Histoire du soldat arranged for clarinet, violin and piano, in a nod to Reinhart who was an amateur clarinetist. [8] This was first performed on 8 November 1919, also in Lausanne, long before a larger suite employing all seven original instruments became available to other musicians.
For example, the framing motif of the first movement features, in relation to the root, A, the minor and major third and the perfect and diminished fifth: [4] E ♭ is revealed as both an alternative fifth of an A chord and the alternative third of a C chord by the canon at the third at the beginning of the development, bar 58: [4]
However, the Phrygian mode features a minor third and the "I" chord may be taken for a borrowed chord, i.e., a Picardy third.) When the VI chord, which may be added between III and ♭ II (iv–III–VI– ♭ II–I) and cadenced upon, is the most characteristic contrasting tonal area, similar by analogy to the relative major of a minor key. [12]
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