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Two dances specifically named in the Danish ballads which appear to be line dances of this type are The Beggar Dance, and The Lucky Dance which may have been a dance for women. [17] A modern version of these medieval chains is seen in the Faroese chain dance, the earliest account of which goes back only to the 17th century. [19] In Sweden too ...
Dance in classical Crete and Greece seems to have been influenced by the dances of Ancient Egypt. [6] There are many examples of ancient Greek art from the 6th and 5th centuries BC depicting dancing women. [5] The virgins of Delos danced in a circle to honour Apollo [7] while Terpsichore was the Muse of dance. [8]
Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
Elite formal dances in the Middle Ages often included elements of performance, which gradually increased until the 17th century, often reducing the amount of dancing by the whole company. Medieval dance featured many group dances, and this type of dance lasted throughout the period when Baroque dance became common and occurred on until at least ...
In it, 36 women of various ages, in Paris, are called from their daily lives and occupations to join the Dance with Death. An English translation of the French manuscript was published by Ann Tukey Harrison in 1994. [30] John Lydgate's Dance of Death is a Middle English poem written in the early 15th century. It is a translation of a French ...
While there exist Renaissance descriptions of chain and circle dances, and medieval and renaissance iconography showing people dancing in chains and circles, [9] there is no connection between these early dances and the recent folk farandole: Arbeau, the most well-known source for renaissance chain and circle dances such as the branle, does not ...
The dances that won the approval of the church were group dances, typically processions or circles in which men, separated from women, performed solemn decorous movements. However, the information on dancing at this period is very scarce. Actually, since the Byzantine art is mainly ecclesiastical, the references to dance are rare.