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Diana Nemorensis [1] ("Diana of Nemi"), also known as "Diana of the Wood", was an Italic form of the goddess who became Hellenised during the fourth century BC and conflated with Artemis. Her sanctuary is on the northern shore of Lake Nemi beneath the rim of the crater and the modern city Nemi .
Diana of the Chase, a bronze statue by Anna Hyatt Huntington in 1922. Diana was a defining symbol at the time, placed at institutions, such as the Fogg Art Museum at Harvard University, the New York Historical Society in New York City, and the Huntington Art Gallery in San Marino, California.
The rex Nemorensis (Latin, "king of Nemi") was a priest of the goddess Diana at Aricia in Italy, by the shores of Lake Nemi, where she was known as Diana Nemorensis. The priest was king of the sacred grove by the lake. No one was to break off any branch of a certain sacred oak, except that if a runaway slave did so, he could engage the Rex ...
Diana and Actaeon by Titian (1556–59). Actaeon (/ æ k ˈ t iː ə n /; Ancient Greek: Ἀκταίων Aktaiōn), [1] in Greek mythology, was the son of the priestly herdsman Aristaeus and Autonoe in Boeotia, and a famous Theban hero.
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Diana and Actaeon by Titian; the moment of surprise. The myth of Diana and Actaeon can be found in Ovid's Metamorphoses. [1] The tale recounts the fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt.
The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland lake of Nemi, "Diana's Mirror," as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills ...