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Matsuo Bashō, the great master of haiku, frequently painted as well. Haiga became a major style of painting as a result of association with his famous works of haiku. [citation needed] Like his poems, Bashō's paintings are founded in a simplicity which reveals great depth, complementing the poems they are paired with.
Santōka Taneda (種田 山頭火, Taneda Santōka, December 3, 1882 – October 11, 1940) was the pen-name of Shōichi Taneda (種田 正一, Taneda Shōichi), a Japanese author and haiku poet. He is known for his free verse haiku—a style which does not conform to the formal rules of traditional haiku.
Koh Buck Song (Chinese: 许木松; born 1963) SANA ALL is a Singaporean writer, poet, and country brand adviser. [1] He is the author and editor of more than 40 books, including nine books of poetry and haiga art. [2]
Among modern poems, traditionalist haiku continue to use the 5-7-5 pattern while free form haiku do not. [12] However, one of the examples below illustrates that traditional haiku masters were not always constrained by the 5-7-5 pattern either. The free form haiku was advocated for by Ogiwara Seisensui and his disciples.
Paul Reps (September 15, 1895 – July 12, 1990) was an American artist, poet, and author. He is best known for his unorthodox haiku-inspired poetry that was published from 1939 onwards.
Harold Gould Henderson (1889–1974) was an American academic, art historian and Japanologist.He was a Columbia University professor for twenty years. From 1948 through 1952, he was the President of the Japan Society in New York, [1] and in 1968 he cofounded the Haiku Society of America.
A monument containing a haiku by Shiki, in front of Matsuyama Station. Shiki may be credited with salvaging traditional short-form Japanese poetry and carving out a niche for it in the modern Meiji period. [38] While he advocated reform of haiku, this reform was based on the idea that haiku was a legitimate literary genre. [39]
Comparing Kikaku's paired haiku in 'The Rustic Haiku Contest', Bashō remarked of one that "these are artifices within a work of art; too much craft has been expended here". [6] One day, Kikaku composed a haiku, Red dragonfly / break off its wings / Sour cherry. which Bashō changed to, Sour cherry / add wings to it / Red dragonfly;