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This is a list of doo-wop musicians. Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A The Accents The Ad Libs The Alley Cats Lee Andrews ...
Pages in category "Doo-wop songs" The following 87 pages are in this category, out of 87 total. This list may not reflect recent changes. 0–9. 16 Candles (song) A.
The Camelots (doo wop group) The Capris; The Capris (Philadelphia group) The Casinos; The Castelles; The Channels; The Chantels; The Chaperones; The Charades; The Charts (American group) The Checkers (American band) The Chevrons; The Chiffons; The Chimes (American band) The Chips; The Chords (American band) The Classics; The Cleftones; The ...
The group reformed in the late 1990s, with Davis, Foxx, Randy Jones, and Tommy Turner. This lineup appeared on the PBS special, Doo Wop 51. In 2001, while rehearsing for a show with the Doo Wop Society of Southern California, Jones had to be rushed to the hospital, requiring the other three to perform as a trio at the performance.
The Drifters' Golden Hits is a 1968 compilation album by American doo wop/R&B vocal group The Drifters.The collection of the bands' later hits charted at #22 on Billboard's "Black Albums" chart and at #122 on the "Pop Albums" chart.
Boulden now performs as the front man for "The Del-Vikings Doo-Wop Revue" which is named such, as being based on "The Truth in Music Act" - Int. CT. 41 - Class 41: Entertainment services in the nature of live performances by a vocal group Principal Register - The mark consists of standard characters without claim to any particular font style ...
The Penguins were an American doo-wop group from Los Angeles, California, that were active during the 1950s and early 1960s. They are known for their 1954 hit song, "Earth Angel", which was one of the first rhythm and blues songs to cross over to the pop charts. The song would ultimately prove to be their only success.
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.