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Scholar's mate was named and described in The Royall Game of Chesse-Play, a 1656 text by Francis Beale which adapted the work of the early chess writer Gioachino Greco. [1] The example given above is an adaptation of that reported by Beale.
Variations on the Word Love is a poem about love by Margaret Atwood, who is regarded as one of Canada's greatest living writers. [1] The poem appears in True Stories ( Oxford University Press , 1981), her 9th poem collection, [ 2 ] which is dedicated to Carolyn Forche . [ 3 ]
"Love" is a basic level that concept includes super-ordinate categories of emotions: affection, adoration, fondness, liking, attraction, caring, tenderness, compassion, arousal, desire, passion, and longing. Love contains large sub-clusters that designate generic forms of love: friendship, sibling relationship, marital relationship etc.
Remedia Amoris (also known as Love's Remedy or The Cure for Love; c. 2 AD) is an 814-line poem in Latin by Roman poet Ovid. In this companion poem to The Art of Love , Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone.
The following outline is provided as an overview of and topical guide to interpersonal relationships.. Interpersonal relationship – association between two or more people; this association may be based on limerence, love, solidarity, regular business interactions, or some other type of social commitment.
Ovid's ironic humor has led scholars to project the idea that Amores functions kind of playful game, both in the context of its relationship with other poetic works, and in the thematic context of love as well. [29] The theme of love as a playful, humorous game is developed though the flirtatious and lighthearted romance described. [30]
The colour wheel theory of love is an idea created by the Canadian psychologist John Alan Lee that describes six love [1] styles, using several Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary, and nine tertiary love styles ...
There is a belief among some scholars that the late plays deal with faith and redemption, and are variations on themes of rewarding virtue over vice. [33] G. Wilson Knight was among those critics to argue that the late romances embody, together with the high tragedies or even above them, Shakespeare's greatest achievement.