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1925 Bright Unity: Solomon R. Guggenheim Museum, New York 69.9 x 49.9 Oil on board 1925 Pointed and Round: Solomon R. Guggenheim Museum, New York 69.8 x 50 Oil on board 1925 Three Elements: Strasbourg Museum of Modern and Contemporary Art 68 x 48 Oil paint on card board 1925 Swinging: Tate Modern, London 70.5 x 50.2 Oil on board 1925 Yellow-Red ...
The two-metre-wide (6 ft 7 in) Yellow – red – blue (1925) of several main forms: a vertical yellow rectangle, an inclined red cross and a large dark blue circle; a multitude of straight (or sinuous) black lines, circular arcs, monochromatic circles and scattered, coloured checker-boards contribute to its delicate complexity. This simple ...
Created in 1909, the work was first published in The Blue Rider Almanac in 1912. [1] The Yellow Sound was the "earliest and most influential" [2] of four "color-tone dramas" that Kandinsky conceived for the theater between 1909 and 1914; the others were titled The Green Sound, Black and White, and Violet. [3]
Wassily Kandinsky: Year: 1925: Catalogue: 295: Medium: oil painting on cardboard: Movement: Abstract art: Subject: a red square, a yellow triangle and a blue circle among coulours and shapes: Dimensions: 68 cm × 48 cm (27 in × 19 in); also given as 69.5 × 49.5 cm (27.4 × 19.5 in) [1] [2] Location: Musée d'Art moderne et contemporain ...
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"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum, [1] it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See ...
Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. 1912. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).
Kandinsky compared abstract painting to the process of musical composition, and called his major conceptual works "compositions", as opposed to his lesser "improvisations". Composition X is the last of the ten compositions he painted during his lifetime (he was 73 at the time).