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PROTECT: A Benefit for the National Association to Protect Children is a charity record for the child protection organization, Protect. It was released by Fat Wreck Chords record label in 2005. PROTECT contains tracks by various punk rock and hardcore punk artists, 15 of which are previously unreleased.
Protection is the tenth studio album by American punk rock band Face to Face, released on March 4, 2016, through Fat Wreck Chords. It was issued with the catalog number FAT954 on multiple formats including compact disc, vinyl and digital download. [ 2 ]
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [ 2 ] Their debut single was a doo-wop version of a Patti Page song " Cross Over the Bridge ", and the record label reluctantly allowed a number penned by the Chords on the B-side . [ 3 ]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.