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The Four Symbols are mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including " Four Guardians ", " Four Gods ", and " Four Auspicious Beasts ".
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
The first involves a black crane; according to legend, when a crane has lived a thousand years it turns blue; after another thousand it becomes black and is called a xuanhe (玄鶴. "dark crane"). Kuai Shen [噲參] was the most filial son to his mother. Once a black crane was injured by a bow hunter and in its extremity, went to Kuai.
The Four Holy Beasts (四靈、四聖獸、or 四大神獸) are Chinese astronomical and cultural Four Benevolent Animals that are spread in the East Asian cultural sphere. They are mentioned in the Chinese classic Book of Rites [ 1 ] and includes the Dragon (龍) in the East, the Qilin (麟) in the West, the Turtle (龜) in the North, and the ...
Those most commonly depicted on older charms are the ceremonial ruyi (sceptre), coral, lozenge, rhinoceros horns, sycees, stone chimes, and flaming pearl. [4] Eight Treasures charms can alternatively display the eight precious organs of the Buddha's body, the eight auspicious signs, various emblems of the eight Immortals from Taoism , or eight ...
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
The first involves a black crane; according to legend, when a crane has lived a thousand years it turns blue after another thousand it turns black and is called a xuanhe (玄鶴, "dark crane"). Kuai Shen [噲參] was the most filial son to his mother. Once a black crane was injured by a bow hunter and in its extremity, went to Kuai.
Schafer noted xian was cognate to xian 䙴 "soar up", qian 遷 "remove", and xianxian 僊僊 "a flapping dance movement"; and compared Chinese yuren 羽人 "feathered man; xian" with English peri "a fairy or supernatural being in Persian mythology" (Persian pari from par "feather; wing").
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