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The term nihilism was first introduced to philosophy by Friedrich Heinrich Jacobi (1743–1819), who used the term to characterize rationalism, [46] and in particular Spinoza's determinism and the Aufklärung, in order to carry out a reductio ad absurdum according to which all rationalism (philosophy as criticism) reduces to nihilism—and thus ...
Nothing, no-thing, or no thing, is the complete absence of anything as the opposite of something and an antithesis of everything. The concept of nothing has been a matter of philosophical debate since at least the 5th century BC. Early Greek philosophers argued that it was impossible for nothing to exist.
The common thread in the literature of the existentialists is coping with the emotional anguish arising from our confrontation with nothingness, and they expended great energy responding to the question of whether surviving it was possible. Their answer was a qualified "Yes," advocating a formula of passionate commitment and impassive stoicism.
The concept of the Void has had a profound influence on both art and literature, where it is often used to explore themes of emptiness, the unknown, and the boundaries of human experience. Through visual and literary expressions, the Void becomes a metaphor for existential questions, psychological states, and the nature of reality itself.
Maurice Blanchot's entire fictional production, whose titles include The Step Not Beyond, The Madness of the Day, and The Writing of Disaster, among others, constitutes an indispensable corpus for the treatment of the relationship between philosophy and literature. So does Jacques Derrida's The Post Card: From Socrates to Freud and Beyond.
Jean-Paul Sartre described the gaze (or the look) in Being and Nothingness (1943). [1] Michel Foucault , in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline.
Non-being can neither be part of the being-in-itself nor can it be as a complement of it. Being-for-itself is the origin of negation. The relation between being-for-itself and being-in-itself is one of questioning the latter. By bringing nothingness into the world, consciousness does not annihilate the being of things, but changes its relation ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...