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The Brunswick is one of several informal jacket-and-petticoat costumes popular in the later 18th century, derived from working class costume but made up in fine fabrics (usually silk). [ 2 ] Originating in France (based on a German fashion), the Brunswick was also popular in England and the United States as a traveling costume.
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
French military personnel of the War of the Spanish Succession (2 C, 26 P) Pages in category "18th-century French military personnel" The following 63 pages are in this category, out of 63 total.
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
The French Royal Army (French: Armée Royale Française) was the principal land force of the Kingdom of France.It served the Bourbon dynasty from the reign of Louis XIV in the mid-17th century to that of Charles X in the 19th, with an interlude from 1792 to 1814 and another during the Hundred Days in 1815.
The first element of body armour to fall out of use was foot and leg protection. Around the same time plate and mail horse barding was relegated to a ceremonial role until disappearing for good in the mid-17th century. [1] In the 18th century, the only troop type to wear body armour was the cuirassier, named after their cuirass. [2]
The growth of the French Army during Louis XIV meant that most noblemen served as officers. During the 18th century, the nobility was officially prohibited from serving in the ranks. [2] Almost 90% of the rank and file came during the 18th century from the peasantry and the working class, while about 10% came from the petty bourgeoisie.
Marie-Louise O'Murphy (French pronunciation: [ma.ʁi.lwiz ɔ‿.myʁ.fi]; 21 October 1737 – 11 December 1814) was a French model who was the youngest lesser mistress (petites maîtresses) of King Louis XV of France, and the model for François Boucher's painting The Blonde Odalisque, also known as The Resting Girl. [1]