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A depiction of Víðarr stabbing Fenrir while holding his jaws apart by W. G. Collingwood, 1908, inspired by the Gosforth Cross. In Norse mythology, Víðarr (Old Norse: [ˈwiːðɑrː], possibly "wide ruler", [1] sometimes anglicized as Vidar / ˈ v iː d ɑːr /, Vithar, Vidarr, and Vitharr) is a god among the Æsir associated with vengeance.
Words of Old Norse origin have entered the English language, primarily from the contact between Old Norse and Old English during colonisation of eastern and northern England between the mid 9th to the 11th centuries (see also Danelaw). Many of these words are part of English core vocabulary, such as egg or knife. There are hundreds of such ...
The Old Norse poems Völuspá, Grímnismál, Darraðarljóð, and the Nafnaþulur section of the Prose Edda book Skáldskaparmál provide lists of valkyrie names. Other valkyrie names appear solely outside these lists, such as Sigrún (who is attested in the poems Helgakviða Hundingsbana I and Helgakviða Hundingsbana II ).
In chapter 7 (chapter 173 of Óláfs saga Tryggvasonar), Haakon recovers from his injuries and offers gifts to Þorgerðr Hördabrúðr and her sister Irpa, seeking their counsel on how best to take vengeance on Þorleifr. Following their advice, Haakon has a wooden man (Old Norse trémaðr) built out of driftwood and endows it with a human heart.
The world known to the Norse. The Norse people traveled abroad as Vikings and Varangians. As such, they often named the locations and peoples they visited with Old Norse words unrelated to the local endonyms. Some of these names have been acquired from sagas, runestones or Byzantine chronicles.
Old Norse poetry is associated with the area now referred to as Scandinavia. Much Old Norse poetry was originally preserved in oral culture, but the Old Norse language ceased to be spoken and later writing tended to be confined to history rather than for new poetic creation, which is normal for an extinct language. Modern knowledge of Old Norse ...
In this instance a woman manipulates her husband or other male kin to exact revenge for her. In Scandinavian society at the time, women were unable to physically seek vengeance; therefore they used the means at their disposal, namely words and influence, to accomplish their goals. [citation needed]
The Skáldskaparmál is both a retelling of Norse legend as well as a treatise on poetry. It is unusual among surviving medieval European works as a poetic treatise written both in and about the poetry of a local vernacular language, Old Norse; other Western European works of the era were on Latin language poetry, as Latin was the language of scholars and learning.