Search results
Results from the WOW.Com Content Network
"Fine Again" is the debut single by South African rock band Seether, released in 2002. The song first appeared on the 2000 album Fragile (which was released when Seether were still going by the name Saron Gas). It was also later included on the 2002 EP 5 Songs, and it is the third track on their 2002 debut studio album Disclaimer.
Later on the Pump album, in "What It Takes", is the line, "Girl, before I met you I was F-I-N-E fine". F.I.N.E. was one of the potential titles brainstormed for the album that became Pump, but was blocked by Geffen A&R man John Kalodner. If one looks closely at the trucks on the front cover, the word FINE can be seen on their side. "F.I.N.E."
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"Fine" is a song by American singer Whitney Houston, and was released as the fourth single from her 2000 compilation album, Whitney: The Greatest Hits, in September 2000. Composition [ edit ]
"I'm Doin' Fine Now" is a song by American R&B group New York City. Released in 1973 by Chelsea Records from their debut album, I'm Doin' Fine Now (1973), the song reached number 17 on the US Billboard Hot 100 , number eight on the Billboard Easy Listening chart, number 20 on the UK Singles Chart and number 26 on the Canadian RPM Top Singles chart.
The bulk of the recording consists of new lyrics, composed by Mary J. Blige, will.i.am and Keith Harris; however, the chorus samples several lines from "Feeling Good" as performed by Nina Simone. Simone's original vocals are distorted so much that her voice is almost unrecognisable; for this reason, Simone receives a credit as a featured artist ...
"I'm Not the Man I Used to Be" is a song by British pop-rock band Fine Young Cannibals. It was released as the fourth single from the band's 1988 album The Raw & the Cooked . The song reached the top 40 charts in the United Kingdom, Canada , Austria , and the Netherlands .
Also given complex treatment on the track were the "staccato single-note lines" of the guitars, which "were actually layered six deep, with a few chords thrown in here and there. Some of the lines and chords were actually recorded only once, then manually triggered from a sampler during playback and mixing. One of the lines was also played back ...