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Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia , installation art , conceptual art and multimedia , particularly involving video are described as postmodern .
Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world.
Postmodernism has received significant criticism for its lack of stable definition and meaning. The term marks a departure from modernism, and may refer to an epoch of human history (see Postmodernity), a set of movements, styles, and methods in art and architecture, or a broad range of scholarship, drawing influence from scholarly fields such as critical theory, post-structuralist philosophy ...
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment.
The audience is integral to the shared meaning-making of the performance process and its members are included in the dialogue of the play. [1] There is a rejection of the notions of "High" and "Low" art. [1] The production exists only in the viewer's mind as what the viewer interprets – nothing more and nothing less.
For Dempsey, what all forms of metamodernism have in common is the attempt to move beyond postmodernism by means of postmodernism—a move which requires progressively "decentering" from the postmodern vantage in order to reflect on it as an object of analysis (i.e., "going meta" on postmodernism). This reflective move creates a new orientation ...