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May Thet Htar Swe (Burmese: မေသက်ထားဆွေ; born 10 January 2003 [1]) is a traditional Burmese classical, country, and dhamma singer. [2] She began her career as a child, and is known both for her mastery of songs from the Burmese classical tradition and her musical versatility, which spans several genres.
"May" is the twenty-eighth single by B'z, released on May 24, 2000. This song is one of B'z many number-one singles in Oricon chart, although sales were not as high as their previous single. Track listing
May La Than Zin (Burmese: မေလသံစဉ်; MLCTS: me la san. cany, also known as May Melody; born 23 May 2003) is a Burmese singer best known for her acoustic cover songs. [ 1 ] [ 2 ] Early life
On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
"Mayya" is a popular Hindi song from the 2007 Hindi film, Guru. It was composed by A. R. Rahman , performed by Maryem Toller , Chinmayi Sripada , Keerthi Sagathia and written by Gulzar . Apart from the film's soundtrack , it also appeared in the compilation album, A. R. Rahman – A World of Music released in 2009.
The collection is divided into several different types of songs including the following: kyo, bwe, thachin gan, the oldest repertoires; pat pyo, royal court music; lwan chin, songs of longing; lay dway than gat; myin gin, music that makes horses dance; nat chin, songs used to worship the nat, Burmese spirits; yodaya, music introduced from ...
The name was May Sweet, the result of Burmese wordplay (called Zagalein) of the name Mi Swe (IPA: [mḭ sʰwè]) to May Sweet ([mè sʰwḭ]). [1] Zagalein is similar to vesre in Argentine Spanish , or verlan in French, reversing the sounds of a word or words to produce a slang or colloquial name.)
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.