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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Technical analysis indicates that most of the Black Paintings began with preparatory drawings. Witches' Sabbath is the exception; the final composition seems to have been painted directly onto the wall. The art historian Fred Licht described Goya's brushwork as "clumsy, ponderous, and rough" and in areas lacking the finish found in his earlier ...
Saturn Devouring His Son by Francisco Goya (c. 1820–1823) In Greek mythology , several of the major gods were actually eaten as children by their own father or just barely escaped such a fate. Cronus (called Saturn in Roman mythology ), once the most powerful of the gods, was dismayed by a prophecy telling him that he would one day be deposed ...
Saturn Devouring His Son is a name given to one of around 14 works by Francisco Goya which comprise his so called "Black Paintings" series. Each was created when Goya was in his latter years and seemingly preoccupied both by fears for his own mental stability and a general loss of faith in the direction of contemporary Spanish society. Reason