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"The Stranger at the Door" (1908) by W. G. Collingwood. Hávamál (English: / ˈ h ɔː v ə ˌ m ɔː l / HAW-və-mawl; Old Norse: Hávamál, [note 1] classical pron. [ˈhɒːwaˌmɒːl], Modern Icelandic pron. [ˈhauːvaˌmauːl̥], ‘Words of Hávi [the High One]’) is presented as a single poem in the Codex Regius, a collection of Old Norse poems from the Viking age.
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
'God Knows' And I said to the man who stood at the gate of the year: "Give me a light that I may tread safely into the unknown". And he replied: "Go out into the darkness and put your hand into the Hand of God. That shall be to you better than light and safer than a known way". So I went forth, and finding the Hand of God, trod gladly into the ...
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
A dog is a man's best friend; A drowning man will clutch at a straw; A fool and his money are soon parted [4] A friend in need (is a friend indeed) A friend to everyone is a friend to no one; A journey of a thousand miles begins with a single step; A little learning is a dangerous thing; A leopard cannot change its spots
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.