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CinemaScope (USA ["Bausch & Lomb formula" anamorphics, used for the fourth and all subsequent CinemaScope films]/France ["Chrétien formula" anamorphic, used for only the first three CinemaScope films]; pre-releases were 2.66:1, with separate 3-track sound, and 2.55:1, with composite 4-track sound, before standardization on 2.35:1; all general ...
The combination of these characteristics enables a photographer to mimic the look of large format film photography with a digital camera. Large format cameras use a negative that is at least 4×5 inches (102×127 mm) and are known for their very shallow depth of field when using a wide aperture and their unique high level of clarity, contrast ...
Prime lenses have large apertures, compared with zoom lenses. These 85 mm lenses have maximum apertures of f /1.8 (left) and f /1.2 (right). In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in ...
Choosing the best camera lenses isn't always easy when you're just starting out, so we explain the jargon and the choices
Silent film has no standard speed; many amateur formats have several common speeds, but no standard. Negative lenses indicates whether spherical (normal) or anamorphic lenses are used on the original camera negative, and if anamorphic lenses, what anamorphic power is used. Projection gauge is the film gauge (width) used for the release print.
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
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We scoured through countless reviews and ratings on popular movie review websites like IMDb and Rotten Tomatoes to identify the top 10 sports movies based on consistently high ratings, variety of ...
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