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The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
Early Mahayana Buddhist triad. From left to right, a Kushan devotee, Maitreya, the Buddha, Avalokitesvara, and a Buddhist monk. 2nd–3rd century, Gandhara Evolution of the Butkara stupa. Because the region was at a cultural crossroads, the art of the Gandhāran Buddhists was a fusion of Greco-Roman, Iranian and Indian styles. [4]
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
The first statues and busts of the Buddha were made in the region around Mathura or Gandhara in the second or third century CE. [4] [5] Many statues and busts exist where the Buddha and other bodhisattvas have a mustache. Seated Buddha, Gandhara, 1st–2nd century CE, Tokyo National Museum Buddha depicted with urna, gilt bronze, 14th century
Head of a Buddha or Bodhisattva, facing (4th-5th century), probably Hadda, Tapa Shotor. [ 3 ] [ 4 ] Seated Buddha, Tapa Shotor (Niche V1). Tapa Shotor , also Tape Shotor or Tapa-e-shotor ("Camel Hill"), [ 5 ] was a large Sarvastivadin monastery near Hadda , Afghanistan , and is now an archaeological site. [ 6 ]
The Brussels Buddha is a famous Buddha statue from the Greco-Buddhist art of Gandhara. [1] It is named after the first collection to which it belonged, the Claude de Marteau collection in Brussels, Belgium, although it is now in a private collection in Japan, belonging to the Agonshū sect of Buddhism. [1]
In response to Mara, Buddha touched the ground, and Phra Mae Thorani, the earth goddess, appeared to be the witnesses for the Buddha's enlightenment. [ 7 ] [ 8 ] In East Asia, this mudra (also called the Maravijaya attitude ) may show Buddha's fingers not reaching as far as the ground, as is usual in Burmese or Indian depictions.