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The Allmusic review by Scott Yanow states: "For his second American release and debut for the Contemporary label, Feldman is completely in the spotlight. Joined by the brilliant bassist Scott La Faro (whose playing is a strong reason to acquire the album) and drummer Stan Levey, Feldman performs a mostly boppish set ". [2]
Original file (1,239 × 1,754 pixels, file size: 803 KB, MIME type: application/pdf) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The album was the fourth and final effort from the unit—LaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. The loss of LaFaro hit Evans hard, and he went into a brief reclusion.
Lamentatio sanctae matris ecclesiae Constantinopolitanae ('Lament of the Holy Mother Church of Constantinople') is a motet by the Renaissance composer Guillaume Dufay. [1] Its topic is a lament of the fall of Constantinople to the Ottoman Turks in 1453.
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The Lament for Ur has been well known to scholarship and well edited for a long time. Piotr Michalowski has suggested this gave literary primacy to the myth over the Lament for Sumer and Ur , originally called the "Second Lament for Ur", which he argues was chronologically a more archaic version. [ 21 ]
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
The Laments are numbered among the greatest attainments of Polish poetry. [1] [2] Their exquisite conceits and artistry made them a model to literati of the 16th and especially the 17th century. [2]