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The Very Thought of You is a 1944 romantic drama film directed by Delmer Daves and starring Dennis Morgan, Eleanor Parker and Dane Clark. [2] The screenplay focuses on a couple who knew each other when he was in college. They meet by chance, fall in love and marry while he is on a short Thanksgiving leave before starting special training.
The Very Thought of You is a 2009 novel by film producer Rosie Alison. Set on the brink of World War II, the novel centres on eight-year-old Anna Sands, a child relocated to a Yorkshire estate. She is quickly drawn into the lives of the couple who have set up their estate as a school.
Martha, Meet Frank, Daniel and Laurence (released in the United States as The Very Thought of You) is a 1998 British romantic comedy directed by Nick Hamm and starring Monica Potter and Joseph Fiennes. The screenplay by Peter Morgan focuses on the chance meeting each of three childhood friends now living in London has with an American tourist.
"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934.
The Very Thought of You may also refer to: The Very Thought of You, a 1944 film starring Dennis Morgan and Eleanor Parker; The Very Thought of You or Martha, Meet Frank, Daniel and Laurence, a British romantic comedy; The Very Thought of You (Emilie-Claire Barlow album), 2007; The Very Thought of You (Nat King Cole album), 1958
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction, the latter being a form of commercial fiction written to provide entertainment to a mass audience. [7] [8 ...
A classic structure of narrative thread often used in both fiction and non-fiction writing is the monomyth, or hero's journey, with a beginning, a middle, and an end. First, typically the harmony of daily life is broken by a particularly dramatic event that leads into the main story.
The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.Works regarded as historiographic metafiction are also distinguished by frequent allusions to other artistic, historical and literary texts (i.e., intertextuality) in order to show the extent to which works of both literature and historiography are dependent on the history of discourse.